Is she L.A.’s version of Rei Kawakuba? Aliona Kononova is an equally avant-garde designer with one  United Nude clog– or seven toes – in the art world; her esoteric eye stretching to all kinds of collabs with major artists, choreographer Ryan Heffington, etc. Her recent – play? Fashion show? Produced by Mary Ta, founder/owner of Minotti and Mass Beverly furniture collections, I’d call it a “theatrical experience” or “fashion performance art.” Kononova christened it “The Weight of Politeness,” the presentation of Kononova’s architectural sculpted gowns – sculpted but still flowy – had a voiceover by actor Rufus Sewell, hair and body tossing choreography by Jasmine Alburquerque (reminiscent of Macbeth’s three witches) and a particularly churchlike atmosphere in a cavernous showroom on West Third Street. It even had a title: The Weight of Politeness, with the dancer models playing polite avators such as “The One Who Listens,” “The One Who Cannot Interrupt,” etc. – each one slowly modelling each of eleven floor grazing dresses, in either black or white – many with dramatic caped or rounded sleeves. (Cont.)